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Śś Ṥṥ Ŝŝ Šš Ṧṧ S̈s̈ Ṡṡ Şş Ṣṣ Ṩṩ Șș S̩s̩ Ꞩꞩ Ꟊꟊ Ȿȿ Ʂʂ ᶊ ᵴ
“Types of” refers to various various types. We primarily utilize it with singular sorts when they are uncountable, but we are able to use plural kinds when they're countable far too.
Additionally, advocacy typically entails addressing deeply entrenched techniques of power, which often can get time and persistence to alter.
小姑娘很聰明，品學兼優，雖然受到寵愛但是從不驕矜，不管學什麽，總是能學到最好，他喜歡看她的妹妹跳舞、喜歡聽他的妹妹彈琴。
Legal advocacy includes duties like educating people on their own rights and legal alternatives, representing an individual’s very best pursuits inside the process, and helping with administrative functions.
The considerably more lately legalized Tremendous PACs can raise unlimited money in an effort to advocate for or towards sure candidates. They can not, on the other hand, straight coordinate with or donate funds independent disability advocacy to a prospect.
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需要這麼細緻、一個動作一個動作描寫的劇情與篇幅不用很多，兩三章、幾千字就行，太多反而囉嗦、時間流逝緩慢（當然還是要看小說架構啦，有些大長篇動輒幾百萬字，一段劇情註定就會比較長），就像這個體育課補考事件，雖然短，卻能在很大程度上揚起故事的節奏與讀者的心境，這就是結構平衡的好處，看了不會無聊。前面會講原作的比賽劇情也是一樣的道理，故事需要一些高低起伏，而且不一定要是比賽這麼刺激的劇情才能叫高潮，這個學投籃、學上籃的經過也可以是精彩的部分，端看內容怎麼描寫與呈現。日常輕鬆歸輕鬆、搞笑歸搞笑，但在畫面的呈現上往往非常平淡又不容易想像，除非作者寫的夠好或是角色夠精緻，而比賽或者是打戲這種東西，寫得細緻一點點就會很有畫面，動者重畫面感，靜者則重意境，兩者相輔相成方能錯落有致、引人入勝。
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我個人認為，黑籃裡最難寫的角色，肯定是黃瀨沒有之一。先聲明我覺得本作裡的黃瀨性格還算貼合原作，但並不代表沒有問題，而之所以會說他最難寫，是因為他在黑籃眾角色裡算是比較沒有特色的人，或者應該說他的特色不夠突出。高冷、傲嬌、無口、易怒，這種比較極端的特色其實比較好寫，在生活中我們較難遇到的性格能夠非常輕鬆地在讀者心中留下印象，反之越是大眾越是普遍的性格就會越難寫，越是常看到、越是人人都有，想讓人留下印象就越不是一件容易的事。
I feel It really is NDIS advocacy really critical that we make certain that individuals and communities which are susceptible to or might great post to read be facing marginalization or oppression, or useful reference who just have “the small end in the stick”, also are A part of the discussions around options to these issues.